Stefano Pistochini, 2015

…The observer, who finds themselves in a subjective position, is not allowed to connect the figurative quantity of the three “totemic” sculptures, playful and lively, with any content of experience. However, through the path that integrates spatiality with temporality, they arrive, through premonitions and memories, at the mythical realm of the eternal search for art… …The figures rise, carve themselves, break, and enter a visionary atmosphere. An intellectual operation is perceived, highlighting how the artist places themselves in a freedom of form that captures the observer’s eye with its fantasy and luminosity, reminiscent of mythological and symbolic play… …Dynamic, imaginative, a narrator, the artist becomes an interpreter of life and history, managing to communicate the smallest emotions and the inner contrasts aimed at elegantly bearing witness to our present. Through a fragment, as an effective and significant synthesis and metaphor, elements of poetry in a transfigured discourse, capable of interpreting meanings with multiple facets and senses about the authentic truths of life…